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大阪府出身。幼少期から絵を描き、高校時代に公募展で入選・受賞を重ね、17歳で初個展。大阪芸術大学建築学科で建築を学び、同時に宮大工の棟梁のもと現場に携わり、構造や空間の感覚を学ぶ。その後、グラフィックデザインを経て、新規事業やビジネスプランの企画・立案に携わる。構想を形にする過程で商社と出会い、商社勤務へとつながった。東アジアを中心に異なる文化や価値観に触れ、異なる場の間に生まれる緊張感と均衡を実感する。この経験が制作思想「中庸美」の原点となっている。長い空白期間を経て作家活動を本格的に再開。海や自然、人や動物をモチーフに、キュビズムや幾何学的な構成を用いながら、変化のたびに生まれる緊張感と、その狭間でバランスを保とうとする均衡を描いている。破壊・再生・循環。その繰り返しに宿る均衡を「中庸美」として表現している。 Born in Osaka, Japan. He began drawing at an early age and received numerous selections and awards in open-call exhibitions during high school, holding his first solo exhibition at the age of 17. He studied architecture at Osaka University of Arts while also working on-site under a master miyadaiku (traditional Japanese temple and shrine carpenter), where he developed a deep understanding of structure, space, and balance. After working in graphic design, he became involved in the planning and development of new businesses and business ventures. Through the process of transforming ideas into reality, he entered the world of international trading and eventually joined a trading company. Working primarily across East Asia exposed him to diverse cultures, values, and perspectives. Through these experiences, he became increasingly aware of the tension and equilibrium that emerge between opposing or differing forces. This became the foundation of his artistic philosophy, "Chuyou-Bi" — the Beauty of Equilibrium. After a long hiatus, he returned to art and resumed his practice in earnest. Using the sea, nature, people, and animals as recurring motifs, he works with Cubist and geometric compositions to explore the tension created by constant change and the equilibrium that seeks to maintain balance within the space between opposing forces. Destruction, regeneration, and circulation. Through their continuous repetition, he expresses the equilibrium that emerges as "Chuyou-Bi."