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Swirling outward from a blazing sun, tiny planes of red, blue, yellow, and violet flood the skies and waterways of Venice with radiant light. Architecture and gondolas alike are built from shards of pure color, until the entire canvas shimmers like one vast mosaic. Jean Metzinger, the early-twentieth-century French painter, began his career with the color-division of Divisionism (a technique of applying small, distinct patches of color that interact optically) before going on to play a pivotal role in the theory and practice of Cubism. Drawing on that early language of fragmented color, this work portrays Venice as a city where countless color planes resonate and sing together.
High-quality giclée printing using 12-color pigment inks and 0.35mm fine art paper. Faithfully reproduces the texture and brushstrokes of the original work, with lightfastness of approximately 200 years.
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Swirling outward from a blazing sun, tiny planes of red, blue, yellow, and violet flood the skies and waterways of Venice with radiant light. Architecture and gondolas alike are built from shards of pure color, until the entire canvas shimmers like one vast mosaic. Jean Metzinger, the early-twentieth-century French painter, began his career with the color-division of Divisionism (a technique of applying small, distinct patches of color that interact optically) before going on to play a pivotal role in the theory and practice of Cubism. Drawing on that early language of fragmented color, this work portrays Venice as a city where countless color planes resonate and sing together.
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