Two colors — blue and vermillion — rest quietly against unbleached paper. A round teapot, a single mandarin orange: an unremarkable moment, nothing more. In risograph printing, ink shifts ever so slightly between passes, leaving uneven gradations as it sinks into the page. This piece faithfully recreates that distinctive quality — the gentle misregistration, the pooling of tone — through digital means. Behind the work is Nijimi Studio, a brand whose name comes from *nijimi* — the bleeding of ink into paper, where edges soften and boundaries dissolve. Rather than bold statements, the studio draws the quiet hours woven into daily life, working with just three muted tones: dusty blue, vermillion, and the warm off-white of unbleached paper. This print is one piece in a series called *Hibi no Seizbutsu* — "Everyday Still Life" — in which small, familiar objects from the kitchen and table are paired with the passage of the seasons: a yunomi cup and camellia, a tokkuri flask and ochoko, a teapot and mandarin orange. Each piece stands on its own, or can be arranged together. The finished print is produced as a giclée using 12-color pigment inks, faithfully capturing the texture of the original. Available in five sizes from A5 to A1, with a choice of four wooden frame colors.
日々の静物 － 急須とみかん— Daily Still Life — Teapot & Tangerines
High-quality giclée printing using 12-color pigment inks and 0.35mm fine art paper. Faithfully reproduces the texture and brushstrokes of the original work, with lightfastness of approximately 200 years.
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Two colors — blue and vermillion — rest quietly against unbleached paper. A round teapot, a single mandarin orange: an unremarkable moment, nothing more. In risograph printing, ink shifts ever so slightly between passes, leaving uneven gradations as it sinks into the page. This piece faithfully recreates that distinctive quality — the gentle misregistration, the pooling of tone — through digital means. Behind the work is Nijimi Studio, a brand whose name comes from *nijimi* — the bleeding of ink into paper, where edges soften and boundaries dissolve. Rather than bold statements, the studio draws the quiet hours woven into daily life, working with just three muted tones: dusty blue, vermillion, and the warm off-white of unbleached paper. This print is one piece in a series called *Hibi no Seizbutsu* — "Everyday Still Life" — in which small, familiar objects from the kitchen and table are paired with the passage of the seasons: a yunomi cup and camellia, a tokkuri flask and ochoko, a teapot and mandarin orange. Each piece stands on its own, or can be arranged together. The finished print is produced as a giclée using 12-color pigment inks, faithfully capturing the texture of the original. Available in five sizes from A5 to A1, with a choice of four wooden frame colors.
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