A pastoral scene of white houses and slender cypress trees set against layered blue and coral hills. Lavender, mustard, olive, and teal fields are laid in as bold color planes, lending the work a brightness that never tips into neutrality. From a distance it reads as a rolling hillside; up close, the scraped layers and color relationships take center stage. A countryside of white houses and slender cypress trees set against layered blue and coral hills. Lavender, mustard, olive, and teal fields appear as bold color planes, giving the landscape a lively but controlled rhythm. From a distance it reads as a hillside scene; up close, the scraped layers and color relationships come forward. SERIES — DISTANT AIR DISTANT AIR is a ten-work series that treats distant seas, lakes, hills, cliffs, and mountains as layers of light and atmosphere. Rather than describing each landscape in detail, the works are built from broad color fields, scraped surfaces, impasto (thick, built-up paint), and weathered block-like marks. From a distance, the images resolve into recognizable places; up close, color and material texture become the subject. Cream and pale blue form a recurring foundation, while coral, lavender, turquoise, ochre, and other accents shift from work to work, giving the series color without losing its quiet character. DISTANT AIR is a ten-work series that treats distant seas, lakes, hills, cliffs, and mountains as layers of light and atmosphere. Rather than describing each landscape in detail, the works are built from broad color fields, scraped surfaces, impasto, and weathered block-like marks. From a distance, the images resolve into recognizable places; up close, color and material texture become the subject. Cream and pale blue form a recurring foundation, while coral, lavender, turquoise, ochre, and other accents shift from work to work, giving the series color without losing its quiet character. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura creates semi-abstract works centered on light, air, and stillness, with a deep attention to open space (ma) and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance. Ritsuko Nishimura creates semi-abstract works centered on light, air, stillness, open space, and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance.