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Teal and blue-green are the heart of this piece, layered together with soft ivory and blue-gray. The color shapes are left deliberately irregular rather than perfectly round — they hold the feeling of watercolor allowed to spread freely across the paper. Deeper tones are gathered toward the right, while a generous stretch of lighter space opens up on the left. The result is a piece that feels light and airy in spite of its cool, saturated palette. This is an easy work to live with — welcoming for those drawn to quiet color, and a gentle way to bring a little coolness into a room. SERIES — BLOOMFORM BLOOMFORM is a three-piece series that conjures the presence of flowers through watercolor blooms and translucent overlapping color — rather than through careful botanical depiction. There are no stems or leaves. Each work is built entirely from softly rounded color shapes and open space. The three pieces each draw from a different palette — saffron and amber, burgundy, and teal — but all three hold to the same intention: to suggest a flower without ever quite saying so. The series was made with rooms in mind where fresh flowers aren't always easy to keep — spaces where a piece of art might still bring a little brightness, a quiet lift in mood, the feeling that something is blooming nearby. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura makes work centered on color, space, light, and layered form. Rather than rendering every detail, she prefers to stop while something is still left open — leaving room for the viewer to bring their own feeling to the work. She aims to make art that doesn't dominate a room, but catches the eye from time to time and shifts the atmosphere, just a little.
High-quality giclée printing using 12-color pigment inks and 0.35mm fine art paper. Faithfully reproduces the texture and brushstrokes of the original work, with lightfastness of approximately 200 years.
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Teal and blue-green are the heart of this piece, layered together with soft ivory and blue-gray. The color shapes are left deliberately irregular rather than perfectly round — they hold the feeling of watercolor allowed to spread freely across the paper. Deeper tones are gathered toward the right, while a generous stretch of lighter space opens up on the left. The result is a piece that feels light and airy in spite of its cool, saturated palette. This is an easy work to live with — welcoming for those drawn to quiet color, and a gentle way to bring a little coolness into a room. SERIES — BLOOMFORM BLOOMFORM is a three-piece series that conjures the presence of flowers through watercolor blooms and translucent overlapping color — rather than through careful botanical depiction. There are no stems or leaves. Each work is built entirely from softly rounded color shapes and open space. The three pieces each draw from a different palette — saffron and amber, burgundy, and teal — but all three hold to the same intention: to suggest a flower without ever quite saying so. The series was made with rooms in mind where fresh flowers aren't always easy to keep — spaces where a piece of art might still bring a little brightness, a quiet lift in mood, the feeling that something is blooming nearby. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura makes work centered on color, space, light, and layered form. Rather than rendering every detail, she prefers to stop while something is still left open — leaving room for the viewer to bring their own feeling to the work. She aims to make art that doesn't dominate a room, but catches the eye from time to time and shifts the atmosphere, just a little.
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