A sweeping countryside of ochre and golden fields beneath a pale blue-gray sky. Distant blue-green hills, white houses, and dark cypress trees anchor a quiet focal point, while a band of deep olive green at the lower edge grounds the whole composition. Layered planes of color carry the expansiveness of the land. A wide countryside of ochre and golden fields beneath a pale blue-gray sky. Distant blue-green hills, white houses, and dark cypress trees form a small focal point, while deep olive in the lower area anchors the composition. Layered color planes convey the openness of the land. SERIES — QUIET PLACES QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura creates semi-abstract works centered on light, air, and stillness, with a deep attention to open space and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance. Ritsuko Nishimura creates semi-abstract works centered on light, air, stillness, open space, and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance.
QUIET PLACES 05 — Golden Field
High-quality giclée printing using 12-color pigment inks and 0.35mm fine art paper. Faithfully reproduces the texture and brushstrokes of the original work, with lightfastness of approximately 200 years.
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A sweeping countryside of ochre and golden fields beneath a pale blue-gray sky. Distant blue-green hills, white houses, and dark cypress trees anchor a quiet focal point, while a band of deep olive green at the lower edge grounds the whole composition. Layered planes of color carry the expansiveness of the land. A wide countryside of ochre and golden fields beneath a pale blue-gray sky. Distant blue-green hills, white houses, and dark cypress trees form a small focal point, while deep olive in the lower area anchors the composition. Layered color planes convey the openness of the land. SERIES — QUIET PLACES QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura creates semi-abstract works centered on light, air, and stillness, with a deep attention to open space and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance. Ritsuko Nishimura creates semi-abstract works centered on light, air, stillness, open space, and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance.
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