A spacious seascape with a pale blue sky, cream clouds, turquoise water, and a rounded island in the distance. Flat white-to-ivory rock shelves fill the foreground, marked only by a few dark cracks and shadows. Large areas of color emphasize brightness, distance, and open air. A spacious seascape with a pale blue sky, cream clouds, turquoise water, and a rounded island in the distance. Flat ivory rock shelves fill the foreground, marked only by a few dark cracks and shadows. Large areas of color emphasize brightness, distance, and open air. SERIES — QUIET PLACES QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura creates semi-abstract works centered on light, air, stillness, open space, and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance. Ritsuko Nishimura creates semi-abstract works centered on light, air, stillness, open space, and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance.
QUIET PLACES 08 — Island Dream
High-quality giclée printing using 12-color pigment inks and 0.35mm fine art paper. Faithfully reproduces the texture and brushstrokes of the original work, with lightfastness of approximately 200 years.
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A spacious seascape with a pale blue sky, cream clouds, turquoise water, and a rounded island in the distance. Flat white-to-ivory rock shelves fill the foreground, marked only by a few dark cracks and shadows. Large areas of color emphasize brightness, distance, and open air. A spacious seascape with a pale blue sky, cream clouds, turquoise water, and a rounded island in the distance. Flat ivory rock shelves fill the foreground, marked only by a few dark cracks and shadows. Large areas of color emphasize brightness, distance, and open air. SERIES — QUIET PLACES QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. QUIET PLACES is a ten-work series that connects different settings—sea, bay, hills, forest, islands, and sunset—through a shared sense of stillness. From a distance, each work reads as a landscape; up close, impasto, scraped surfaces, block-like color fields, and weathered marks become visible. The series avoids over-description, leaving room for light and air while keeping the color and character of each place distinct. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura creates semi-abstract works centered on light, air, stillness, open space, and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance. Ritsuko Nishimura creates semi-abstract works centered on light, air, stillness, open space, and material texture. Rather than reproducing a landscape literally, she builds a sense of place through fields of color, brushwork, scraped surfaces, and layered marks. Restraint is as important as addition, allowing each work to shift between recognizable landscape and abstraction depending on viewing distance.
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