
The first print in a triptych of a black cat among the flowers of the seasons, rendered in the style of ukiyo-e and shin-hanga (the early 20th-century "new prints" movement). Autumn chrysanthemums are in bloom, and the cat has lifted its gaze toward something. There is nothing there. It is simply looking up. Three colors only: a ground of verdigris blue-green, the black of the cat, and the lines that trace the chrysanthemums and waves. Neither the flowers nor the leaves are filled in — form is built from outline alone. I believe that a painting sustained by so few colors is one you can return to, again and again. The first of the triptych "Cat and the Flowers of the Seasons." The series also includes Peony (early summer) and Cherry Blossom (spring).
High-quality giclée printing using 12-color pigment inks and 0.35mm fine art paper. Faithfully reproduces the texture and brushstrokes of the original work, with lightfastness of approximately 200 years.
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The first print in a triptych of a black cat among the flowers of the seasons, rendered in the style of ukiyo-e and shin-hanga (the early 20th-century "new prints" movement). Autumn chrysanthemums are in bloom, and the cat has lifted its gaze toward something. There is nothing there. It is simply looking up. Three colors only: a ground of verdigris blue-green, the black of the cat, and the lines that trace the chrysanthemums and waves. Neither the flowers nor the leaves are filled in — form is built from outline alone. I believe that a painting sustained by so few colors is one you can return to, again and again. The first of the triptych "Cat and the Flowers of the Seasons." The series also includes Peony (early summer) and Cherry Blossom (spring).

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