二つの流れは、触れる前にひとつの間をつくる。 POND 05 — Converge は、上側と下側から近づく二匹の錦鯉の気配を、広い余白の中に配置した作品です。 二つの流れは中央でまだ重ならず、その間に静かな距離を残しています。右上には黒く角ばった石と半透明の白石を組み合わせ、左下の石群は小さく、輪郭をぼかして抑えました。 朱赤の点はごく少量だけ残し、水の中に浮かぶわずかなリズムとして働きます。 近づくことと、まだ触れないこと。 その間に生まれる緊張と静けさを描いた、PONDシリーズの最終作です。 Two movements create an interval before they meet. POND 05 — Converge places the presence of two koi approaching from opposite directions within a wide field of open space. The two flows have not yet touched. A quiet distance remains between them. In the upper right, angular dark stones are paired with pale translucent forms, while the lower-left stones are kept small and softened. Only a few vermilion specks remain, acting as a subtle rhythm suspended in the water. Approach without contact—this final work in the POND series holds the tension and calm of that unfinished meeting. SERIES — POND POND abstracts the presence of nishikigoi and pond stones into movement, stillness, water, and negative space. The fish are not treated as literal subjects. Instead, vermilion, charcoal, ivory, translucent washes, and fine flowing lines suggest their movement through water. Stones shift between dark, pale, sharp-edged, softened, and partially dissolved forms. The open ivory field functions as water itself. POND is built around the tension between two states: motion and stillness. The visual center of each work is not the koi or the stones, but the quiet interval between them. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura works with negative space, light, air, silence, and the moment just before a form disappears. Rather than asking how much more can be added, her work focuses on where to stop. Empty space is not treated as absence, but as a place where light, time, and distance can exist. Starting from recognizable motifs, she reduces them into color, texture, gesture, and interval—leaving room for each viewer to enter the work through their own perception.
POND 05 — Converge
12色顔料インクと0.35mm厚のファインアート紙が織りなす高品質なジークレー印刷。原画の質感やタッチを忠実に再現し、約200年の耐光性を有します。
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二つの流れは、触れる前にひとつの間をつくる。 POND 05 — Converge は、上側と下側から近づく二匹の錦鯉の気配を、広い余白の中に配置した作品です。 二つの流れは中央でまだ重ならず、その間に静かな距離を残しています。右上には黒く角ばった石と半透明の白石を組み合わせ、左下の石群は小さく、輪郭をぼかして抑えました。 朱赤の点はごく少量だけ残し、水の中に浮かぶわずかなリズムとして働きます。 近づくことと、まだ触れないこと。 その間に生まれる緊張と静けさを描いた、PONDシリーズの最終作です。 Two movements create an interval before they meet. POND 05 — Converge places the presence of two koi approaching from opposite directions within a wide field of open space. The two flows have not yet touched. A quiet distance remains between them. In the upper right, angular dark stones are paired with pale translucent forms, while the lower-left stones are kept small and softened. Only a few vermilion specks remain, acting as a subtle rhythm suspended in the water. Approach without contact—this final work in the POND series holds the tension and calm of that unfinished meeting. SERIES — POND POND abstracts the presence of nishikigoi and pond stones into movement, stillness, water, and negative space. The fish are not treated as literal subjects. Instead, vermilion, charcoal, ivory, translucent washes, and fine flowing lines suggest their movement through water. Stones shift between dark, pale, sharp-edged, softened, and partially dissolved forms. The open ivory field functions as water itself. POND is built around the tension between two states: motion and stillness. The visual center of each work is not the koi or the stones, but the quiet interval between them. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura works with negative space, light, air, silence, and the moment just before a form disappears. Rather than asking how much more can be added, her work focuses on where to stop. Empty space is not treated as absence, but as a place where light, time, and distance can exist. Starting from recognizable motifs, she reduces them into color, texture, gesture, and interval—leaving room for each viewer to enter the work through their own perception.
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