
水は、方向を決めずに流れることがある。 POND 02 — Drift は、静かな池の中で、ひとつの流れがゆっくりと位置を変えていく様子を抽象化した作品です。 朱赤、墨、淡い生成りの筆致は、魚の形を描き切らず、輪郭の一部だけを残して漂います。左右に置かれた石も対称にはせず、それぞれ異なる重さで画面を支えています。 決められた軌道ではなく、わずかな揺らぎによって生まれる動き。 漂うことそのものを、静かな余白の中に留めた作品です。 Water does not always move with a fixed direction. POND 02 — Drift abstracts a slow shift within a quiet pond—a movement that changes position without urgency. Vermilion, charcoal, and pale ivory marks suggest rather than describe a koi. The stones are deliberately asymmetrical, each carrying a different visual weight. Nothing follows a rigid path. The composition is shaped by slight deviation, softness, and drift. The work holds that gentle movement inside a wide field of stillness. SERIES — POND POND abstracts the presence of nishikigoi and pond stones into movement, stillness, water, and negative space. The fish are not treated as literal subjects. Instead, vermilion, charcoal, ivory, translucent washes, and fine flowing lines suggest their movement through water. Stones shift between dark, pale, sharp-edged, softened, and partially dissolved forms. The open ivory field functions as water itself. POND is built around the tension between two states: motion and stillness. The visual center of each work is not the koi or the stones, but the quiet interval between them. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura works with negative space, light, air, silence, and the moment just before a form disappears. Rather than asking how much more can be added, her work focuses on where to stop. Empty space is not treated as absence, but as a place where light, time, and distance can exist. Starting from recognizable motifs, she reduces them into color, texture, gesture, and interval—leaving room for each viewer to enter the work through their own perception.
12色顔料インクと0.35mm厚のファインアート紙が織りなす高品質なジークレー印刷。原画の質感やタッチを忠実に再現し、約200年の耐光性を有します。
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水は、方向を決めずに流れることがある。 POND 02 — Drift は、静かな池の中で、ひとつの流れがゆっくりと位置を変えていく様子を抽象化した作品です。 朱赤、墨、淡い生成りの筆致は、魚の形を描き切らず、輪郭の一部だけを残して漂います。左右に置かれた石も対称にはせず、それぞれ異なる重さで画面を支えています。 決められた軌道ではなく、わずかな揺らぎによって生まれる動き。 漂うことそのものを、静かな余白の中に留めた作品です。 Water does not always move with a fixed direction. POND 02 — Drift abstracts a slow shift within a quiet pond—a movement that changes position without urgency. Vermilion, charcoal, and pale ivory marks suggest rather than describe a koi. The stones are deliberately asymmetrical, each carrying a different visual weight. Nothing follows a rigid path. The composition is shaped by slight deviation, softness, and drift. The work holds that gentle movement inside a wide field of stillness. SERIES — POND POND abstracts the presence of nishikigoi and pond stones into movement, stillness, water, and negative space. The fish are not treated as literal subjects. Instead, vermilion, charcoal, ivory, translucent washes, and fine flowing lines suggest their movement through water. Stones shift between dark, pale, sharp-edged, softened, and partially dissolved forms. The open ivory field functions as water itself. POND is built around the tension between two states: motion and stillness. The visual center of each work is not the koi or the stones, but the quiet interval between them. ABOUT RITSUKO NISHIMURA Ritsuko Nishimura works with negative space, light, air, silence, and the moment just before a form disappears. Rather than asking how much more can be added, her work focuses on where to stop. Empty space is not treated as absence, but as a place where light, time, and distance can exist. Starting from recognizable motifs, she reduces them into color, texture, gesture, and interval—leaving room for each viewer to enter the work through their own perception.

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